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Bio
Sketch of Mr. Dilip Chitre |
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Dilip Chitre
(1938--) was born in Baroda but lived in Bombay since
his early teens, graduating from the University of Bombay
in 1959 and thereafter living in places such as Asella
and Addis Ababa in Ethiopia, Iowa City in the USA, Bhopal
and Pune in India and travelling widely in four continents.
Best known for his poetry in English and Marathi, Chitre
has also written short fiction, plays, essays, and criticism.
His work has been translated into most major Indian languages
as well as into English, German, Spanish, French, Japanese
and Hungarian. A winner of the Sahitya Akademi Award (1994)
for his Marathi book of poems Ekoon Kavita-1 and the Sahitya
Akademi Translation Prize (1994) for his English translation
of the poetry of the 17th century Marathi poet-saint Tukaram---Says
Tuka (Penguin Classics,1991)---Chitre has authored 24
books so far. He is also a film-maker and a painter. He
lives in Pune, Maharashtra with his family.
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Mr. Dilip Chitre
Tukaram in Heaven,
Chitre in hell
German Translation
Legend of Tukaram |
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Among Chitre’s
honours and awards are several Maharashtra State Awards,
the Prix Special du Jury for his film ‘Godam’ at the Festival
des Trois Continents at Nantes in France in 1984, the
Ministry of Human Resource Development’s Emeritua Fellowship,
the University of Iowa’s International Writing Program
Fellowship, the Indira Gandhi Fellowship, the Villa Waldberta
Fellowship for residence given by the city of Munich,
Bavaria, Germany and so forth. He was D.A.A.D. ( German
Academic Exchange)Fellow and Writer-in-Residence at the
Universities of Heidelberg and Bamberg in Germany in 1991-92.
He was Director of Vagarth, Bharat Bhavan Bhopal and the
convenor-director of Valmiki World Poetry Festival ( New
Delhi,1985) and International Symposium of Poets ( Bhopal,
1985), a Keynote Speaker at the World Poetry Congress
in Maebashi, Japan (1996) and at the Ninth International
Conference on Maharashtra at Saint Paul, Minnesota, USA
in 2001 and Member of the International Jury at the recent
Literature festival Berlin, 2001;
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He was member
of a three-writer delegation ( along with Nirmal Verma
and U. R. Ananthamurthy) to the Soviet Union (Russia,
Ukraine, and Georgia), Hungary, the Federal Republic of
Germany and France in the spring and summer of 1980 and
to the Frankfurter Buchmesse in Frankfurt, Germany in
1986; he has given readings, lectures, talks, participated
in seminars and symposia, and conducted workshops in creative
writing and literary translation in Iowa City, Chicago,
Tempe, Paris, London, Weimar, Saint Petersberg, Berlin,
Frankfurt, Konstanz, Heidelberg, Bamberg, Tubingen, Northfield,
Saint-Paul/Minneapolis, New Delhi, Bhopal, Mumbai, Kochi,
Vadodara, Kolhapur, Aurangabad, Pune, Maebashi, and Dhule
among other places;
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He has travelled
widely in Asia, Africa, Europe, and North America as well
as in the interiors of India; been on the visiting faculty
of many universities and institutions, a consultant to
projects; he is Honorary Editor of the quarterly ‘New
Quest’ and is the Honorary President of the Sonthhheimer
Cultural Association of which he is also a Founder-Trustee;
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BIBLIOGRAPHY
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In Marathi:
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1) Kavita;
Mouj Prakashan, Mumbai; 1960;
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2) Orpheus;
Mouj Prakashan; Mumbai;1968;
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3) Sheeba Raneechya
Shodhaat; Majestic Prakashan; Mumbai;1969;
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4) Kavitenantarchyaa
Kavita; Vacha Prakashan; Aurangabad;1978;
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5) Chaavyaa;
Pras Prakashan; Mumbai; 1983;
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6) Dahaa By
Dahaa; Pras Prakashan,; Mumbai; 1983;
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7) Mithu Mithu
Porat ani Sutak; Saket Prakashan,Aurangabad;1989;
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8) Tirkas Ani
Chaukas;Lok Vangmay Griha; Mumbai;1980;
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9) Punha Tukaram;S.K.Belvalkar,Pune;
1990; 2nd edition: Popular Prakashan;Mumbai, 1995;3rd
edition:Popular Prakashan,Mumbai;2001;
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10) Shatakaanchaa
Sandhikaal; Lok Vangmay Griha; Mumbai;
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11) Bhau Padhye
Yanchyaa Shreshtha Kathaa( Editor); Lok Vangmay Griha,
Mumbai;1995;
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12) Ekoon Kavita-1; Popular
Prakashan; Mumbai;1992;2nd edition:1995;
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13) Ekoon Kavita-2; Popular
Prakashan; Mumbai;1995;
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14) Ekoon Kavita-3; Popular
Prakashan; Mumbai;
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15) Chaturang; Popular Prakashan;
Mumbai;1995;
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In English:
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1) An Anthology
of Marathi Poetry (1945-1965); (Editor); Nirmala-Sadanand;
Mumbai; 1968;
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2) Ambulance Ride; Self; Mumbai;
1972;
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3) Travelling In A Cage; Clearing
House; Mumbai; 1980;
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4) The Reasoning Vision :
Jehangir Sabavala’s Painterly Universe; Introduction and
Notes on the paintings by Dilip Chitre;
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5) Tata-McGraw-Hill; New Delhi;
1980;
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6) Tender Ironies: A Tribute
To Lothar Lutze (Editor); Manohar; New Delhi;1994;
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7) Shri Jnandev’s Anubhavamrut
: The Immortal Experience of Being; Sahitya Akademi, New
Delhi; 1996;
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8) The Mountain; Vijaya Chitre;
Pune; 1998;
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9) No-Moon Monday On The River
Karha; Vijaya Chitre; Pune;2000;
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In Hindi:
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Pisati ka Burz:Dileep Chitre
ki Chuni Huvi Kavitaayen; Translated by Chandrakant Deotale;
Rajkamal; New Delhi;1987;
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In Gujarati
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i) Milton-na Mahaakaavyo;
Translated by Yashwant Dashi and the author; Parichay
Pustakavali; Mumbai; 1970;
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ii) Kavya Vishva Shreni: Marathi:
Dileep Chitre; Translated by Jaya Mehta; Gujarat Sahitya
Academy; Gandhinagar;
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In German:
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i) Das Fallen Des Banyanbaums;translated
by Lothar Lutze; Botschaft der Bundesrepublik Deutschland,
New Delhi;1980;
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ii) BOMBAY/MUMBAI: Bilder
einer Mega-Stadt ( with Henning Stegmuller and Namdeo
Dhasal) Translated by Lothar Lutze; A-1 Verlag; Munchen;
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ii) Worte des Tukaram; Translated
by Lothar Lutze; A=1 Verlag; Munchen;
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iii) Lotos Blatter 1: Dilip
Chitre: Aus dem Englischen und dem Marathi;Translated
by Lothar Lutze; Proben Indische Poesie:Lotos Verlag Roland
Beer; Berlin,2001[
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Paintings and
Exhibitions:
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1) 1969, First One Man Show
of Oil Paintings; Bombay; India;
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2) 1975, Triple Triptych;
in collaboration with Peter Clarke and Ahmed Muhammad
Imamovic; Iowa City, Iowa; USA;
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3) Participation in group
shows in India and the Netherlands;
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4) Dilip Chitre 63: Mini-Retrospective
of Paintings in Pune (1986-2001); Studio S, Pune;2001;
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5) In the collection
of Air-India International, Bombay, India; John Deere
Inc. Administrative Centre, Moline, Illinois, USA; Dr.
Viktor Ionesescu, Iowa City, USA; Mr. and Mrs. Robert
E. Yaw, Cedar Rapids, USA; Mr. Peter Clarke, Cape Town,
South Africa; Marie Jose Van de Loo and Henning Stegmuller,
Munich, Germany; Dr. Lothar Lutze, Berlin, Germany; Frau
Petra Matusche, Goethe=Institute, Germany; Vijay Shinde,
Pune; Sujit Patwardhan, Pune; Mrs. Statira Wadia, Pune;
Jayant Risbud, Pune; Dr. Sameer Kulkarni, Pune; Bhaskar
Hande, Den Haag, The Netherlands; Daniel Weissbort, Iowa
City, Iowa, USA/ London United Kingdom; Sanat and Kunda
Sashital, Los Angeles, USA; Evonna Lee Landwehr, Evanston,
Illinois, USA; Milind and Kirti Gupte, Mumbai; Ganesh
Vispute and Shruti Tambe, Pune;Sanjeevani Nerkar, N.Y.City,
USA; Vasant Ksheersagar, New Jersey, USA; Bhalchandra
Nemade, Mumbai; Ashok Shahane, Mumbai; Sphurti and Ashok
Patil, Pune; Ananya Parekh, Mumbai; and others.
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Filmography
Videography
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1) Vijeta; produced by Filmvalas,
Mumbai; Directed by Govind Nihalani; Story and Screenplay;
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2) Godam produced by the National
Film Development Corporation, Mumbai; Screenplay, Direction,
and Music;
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3) Ardha Satya; Directed
by Govind Nihalani; Theme Poem;
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4) A Tryst With Destiny; produced
by S.S. Oberoi; Script and Direction;
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5) Education ’72; produced
by S.S. Oberoi; Script and Direction;
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6) A Question of Identity;
produced by Y.R.Khandekar; Script, Direction, and Narration;
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7) Dattu; produced by Dnyada
Naik; Script and Direction;
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8) Made In India; Producer,
Scriptwriter, and Directior; on behalf of the Industrial
Design Centre, Indian Institute of Technology, Powai,
Mumbao;
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9) Bombay:Geliebte Moloch;
produced by Adanos-Film,gmbh, Munich, Germany; Co-Scriptwriter
and C-Director; Videofilms Made For The Archives of Bharat
Bhavan, Bhopal(1984-85);
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10) Shakti Chattopadhyaya:
Portrait of the Poet; produced by Bharat Bhavan, Bhopal;
Concept, Script, and Direction;
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11) Translating Shakti Chattopadhyaya
into English: A discussion with Jyotirmoy Datta and Arvind
Krishna Meherotra; Concept and Direction; Produced by
Bharat Bhavan, Bhopal;
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12) Translating Shakti Chattopadhyaya
into Hindi a discussion with Kedar Nath Singh and Prayag
Shukla; Concept and Direction;
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13) Shamsher Bahadur Singh:
A Portrait of the Poet; Concept and Direction;
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14) Shamsher Bahadur Singh
in discussion with Namvar Singh and Ashok Vajpeyi;Concept
and Direction; produced by Bharat Bhavan Bhopal;
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15) K.Satchidanandan: A Portrait
of the Poet and a discussion by Sudha Gopalakrishnan and
Rajendra Dhodapkar; Concept and Direction; produced by
Bharat Bhavan, Bhopal;
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16) In The Darkness of the
Twentieth Century: A discussion featuring Shrikant, Verma,
Namvar Singh, and Ashok Vajpeyi; Concept and Direction;
produced by Bharat Bhavan, Bhopal;
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17) Kunwar Narayan: A Portrait
of the Poet; Concept and Direction; produced by Bharat
Bhavan, Bhopal;
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18) B.C.Sanyal: Memories of
Life and Art at 82; Concept and Direction. For Sahitya
Akademi,New Delhi
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19) Narayan
Surve: A Poet of The Proliterait (in Marathi,Hindi,and
English versions);2000;
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Editor
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1) Shabda; (1956-1960); Mumbai;
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2) New Quest (1978-1980);
(2001-); Mumbai;
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Columnist
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Free Press Journal; Mumbai(1959-1960);
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Loksatta; Mumbai;
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Dinank; Mumbai;
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Ravivar Sakal; Pune;
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Quest;
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New Quest;
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Abhiruchi;
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Occasional Book Reviewer/Contributor
of Articles
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The Indian Express;
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The Times of India;
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Quest;
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New Quest;
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Granth;
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The Illustrated Weekly of
India;
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Times Weekly;
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Biblio;
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Gallery;
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Kala-Varta;
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Sakshatkar;
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Poorvagraha
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